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We
all want to create something, and for Ozzy - and for us - that's a lasting
testament to our music. At White House Productions, we have the expertise,
vision and equipment to make it happen.
We believe that every client should get real VALUE from their decision
to work with us. As musicians who have been on the "other side,"
we can appreciate the difficulties and let downs that can happen when
recording. We try to make every session as efficient as possible, so that
you get the most bang for your dollar. The equipment is highly integrated,
connected, and flexible. Want to track a small guitar part? No problem
- 5 minutes later you will be cutting that part. Same for a vocal part.
Want to try and manipulate a sample and loop it? No probelm - within 5
minutes, our samplers and keyboards will be routed and active. We are
ready for anything you may want to do. We take pride in our efficiency
and expertise. Challenge us to give you value like you have never seen
from a studio.
- Meet the staff -
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Scott
White
Owner/Engineer/Producer
Scott has been recording music since 1988, starting with a cassette multitrack
(4, 6 and 8 tracks), a SMPTE time code generator/MIDI interface, and an
old IBM computer running Cakewalk 2.0. In college, he took an electronic
music class elective and practically taught the class. He has been playing
guitar since 1980 and currently plays in his band Darik & The Funbags
about 10 times month. After several years of recording bands and producing
full length records out of his home, Scott decided that a full service
facility was needed, and therefore in late 2004 Scott opened the doors
to Whitehouse Productions. He is engaged in the details of a performance
and recording, but also can identify with the pure beauty of the magical
first take. Well versed in Pro Tools and the ability to capture and manipulate
a sound to suit the need, Scott specializes in Modern Rock and Pop formats
and through his production skills, helps bands attain their artistic vision
completely and within budget.
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Pete
Szymanski
Chief Engineer/Producer
Pete started out playing in Heavy Metal bands in the early 80's with a
guitar, a pair of spandex, and a dream. Then, with the unfortunate demise
of Hair Metal, he began classes in the Housatonic Community College music
program. Pete switched to electric & acoustic bass during his time at
Housatonic, at the same time he also started doing live sound and recording
on a Fostex 250 4-track. He began to play with many local bands in clubs
as well as doing formal gigs. After a short stint at one of the areas
oldest recording facilities, Pete became more proficient and started recording
CD projects on ADATs in his living room, eventually moving his equipment
to Hayloft Studios in Milford. While at Hayloft he recorded many CD projects
mainly acoustic singer/songwriter and roots rock bands. In addition to
engineering multiple CD projects for both Marc Douglas Berardo and his
brother Chris of Chris Berardo and the Desberaro's, Pete played bass on
teh recordings and toured across the country supporting these successful
CDs. After Hayloft closed their doors, Pete decided to pool all his equipment
and knowledge of recording in with Scott, and thus Whitehouse Productions
was born. Even though Pete records everything from bluegrass to hardcore
bands, his main expertise is acoustic instruments, but he has become increasingly
proficient in loop based music as more of these projects come into the
studio. His touring has subsided after his nuptials last year but he is
still heavily involved in recording and playing music, while a reunion
gig with Dagger is rumored!
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Jon
Conine
Engineer
Jon graduated Berklee College of Music in 2002, with honors. He holds
a degree in Music Production and Engineering. He also attended classes
at the New England Institute of Technology for electronics for two years.
Jon plays keyboards and drums, and is exceptional at bass guitar. He is
versed in all styles of music production, but his specialty, is in the
avant rock world. He enjoys experimenting with unconventional recording/mixing
techniques to bring something special to every project he is involved
in. While he is more of an engineer than a producer, he enjoys the challenge
of being able to use recording tools to help an artist reach their sonic
vision. He also has an active career in live sound reinforcement and enjoys
electronics design - in fact the studio employs some of his home made
signal processors, which are meticulously crafted to emulate some of the
world's most unique and useful studio pieces.
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